Thursday, April 27, 2017

A Waterlution Blog

I was asked, as part of Waterlution's new website, to contribute to a blog with a focus on issues around the Great Art for Great Lakes project.

I thought I would share these thoughts here, as they point back to my practice, and the research taking place within it.


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April 19th 

Art as a Tool for Social Engagement and Energizing Communities Toward a Sustainable, Collaborative Future

As a practicing socially engaged artist, I have directly experienced the impact my work has had on a community and the individuals that make up that community. Great Art for Great Lakes (GAGL) gives artists the opportunity to directly inspire, connect, and create a lasting impact within their communities—to inspire those around them, and specifically, to shape and construct our relationship with the Great Lakes upon which we all rely. Artists play a critical role in enabling the public to connect and reflect upon the often forgotten importance of the Great Lakes in our daily lives. With GAGL—through a socially engaged, participatory project led by a local artist—a platform is built where the public is integral to the project, dialogue, and the creation of the final work. The extended installation period of each final work really allows for a protracted narrative on the Great Lakes, and allows both the artist and the community participating to sense the impact of their actions.

The aesthetics of collaboration points to a process where co-creating is paramount, and the local narrative is accessible as a common ground all while working within the desire for beauty and empowerment. This process of uniting diverse experiences and knowledge culminates in the production of visually powerful artwork that is concrete in stating the participants’ involvement and pride of creation through. Collaboration is about listening and speaking to one another. The act of dialogue is an integral part of the final artwork truly operating alongside the object. The object will only become fully successful through that dialogue it has initiated.

Art and social function, as discussed by Stephen Willats, “[Is] the realization that all art is dependent on society – dependent on the relationships between people,” and that is a “culture founded on networks of exchange, fluidity, transience, and mutuality.” Great Art for Great Lakes embraces these methods in order to create a framework for public art that stimulates the sense of celebration and ownership. If we are to contribute to a sustainable future, we need to move beyond the established binaries in order to develop new processes, new uses, and new ways of understanding how we are, in ways we experience everyday, connected to the Great Lakes and the fresh water.

I encourage anyone reading this to inspire and be inspired by the contagious and powerful energy collaborative art can bring to a community, and join us as a participant, artist, listener and friend of the Great Lakes.

Christopher McLeod
Project Lead, Great Art for Great Lakes

The Machine of Awesome Bright Liquid Blueness. Granville Island, Vancouver. BC. 2016








Monday, April 10, 2017

Bike Rack for GreenVenture

I was asked by GreenVenture if I could build a bike rack from recycled materials. Being an environmental education centre, they needed a bike rack, but didn't want to purchase a commercially made unit.

Three bike frames and a rowing machine frame later, their new bike corral is built,  installed, and ready for spring. It will secure up to 6 bikes comfortably. Thank you GV for the work and I hope it gets lots of use!





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